RESEARCH STUDENTS

 


Lynn Setterington

Title: Hidden Value, Points of Tension.  An Investigation into Embroidery Practices in the Context of Socially Engaged Art

The purpose of this research is to re-assess embroidery in relation to socially engaged art practice and investigate the role of a maker within this field. The study will offer new insight into socially engaged art and shed light on the experiences of craft practitioners, as Harper (2012) acknowledges this has been overlooked in academic epistemologies. It will explore if embroidery lacks visibility because the stereotyping of hand sewing as benign, non-threatening and decorative still remains. Similarly, what part do the associations with low status community arts play in this, despite Kester’s acknowledgement that artists including Hirschhorn employ methodologies redolent of these community arts?

www.lynnsetterington.co.uk


Peta Jacobs
 

Title: Within, Between and Beyond: an enquiry into ‘the fold’ as a model of non-linear interconnectedness through textile thinking and practice

Textile thinking can weave difficult concepts and questions raised by quantum physics together with an interrogation of materials to create artworks that present an interconnected, holistic position in concrete form.

Textile thinking is a means to analyse and examine ideas originating from quantum physics by translating them to sensory objects.  Materials are folded together to become mediations of a set of ideas. The ideas are paradoxical and difficult to understand intellectually, however, my artworks communicate them by appealing to the senses and a gestalt perception.

www.petajacobs.com


Penny Clayden-Swain
 

Title: The visualisation of chronic pain in cloth and stitch

We all feel pain but many of us have difficulty in putting it into language. I am investigating how creative practice is a more effective means of expressing pain. In particular, there is a significant gap in visually expressing chronic pain which needs addressing. Normal practice is to ask adults to score their pain in numbers from one to ten. The present numerical system of explaining pain is inaccurate andI am exploring how cloth and stitch can create an alternative visual system. 


Christine Day

 

Title: Cloth and the Body: A Spatio-temporal Interpretation of Landscape

My understanding of epidemiology and anatomy offers a unique perspective through which to consider the materialisation of space and time.  In fusing my clinical professional knowledge and skills with my creative practice, this research will explore ontology of space and time with reference to the Mikhail Bakhtin’s concepts of chronotope and unfinalisability and the Japanese aesthetic of Ma.


Denise Jones
 

Title: Embroidering and the Body Under Threat: Suffragette cloths in Britain 1905-1914.

Cloths associated with British suffragettes 1905-1914, particularly those embroidered in prison, will be the focus of this study, situating the research within a discrete time frame and social space: a time-space of entanglement between women’s production of embroidery and the seeking of political representation. This research will seek to answer the overarching question, ‘Why did suffragettes embroider in prison?’ My experiential knowledge of embroidering and textile processes will inform the research throughout. 


Linda Brassington
 

Title: Resist Dyeing: metaphorical and performance meanings in modern and contemporary cloth.

The investigation aims to develop a critical perspective of resist dyeing within the vacant spaces between historical surveys and technical handbooks.  The research will explore the transition from traditional practice to modern and contemporary cloth.  It will question how processes of resist dyeing, their associated substances and dyestuffs reveal metaphorical meaning, and how contrasting sites of practice convey materiality, gesture and concept.  The research will consider how individual and cultural identity is reflected in resist dyeing, through an understanding of performance in making.